Mozart, Wolfgang Amadeus

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Copyists’ manuscript, three volumes, in variety of brown or black inks made by various scribes under supervision of Wenzel Sukowaty, chief copyist for the Hof-Operntheater, Vienna. Acts one-two in volume one, acts three-four in volume two; volume three contains short scores for act two finale number sixteen, scena ten, Sextet, number nineteen, and finales to acts three and four to accommodate additional instrumentation, primarily wind and timpani parts. Volumes bound separately in decorative board.

Copyists’ manuscript, two volumes, in variety of black or brown inks made by various scribes under supervision of Wenzel Sukowaty, chief copyist for the Hof-Operntheater, Vienna. Includes occasional corrections and excisions, some in red crayon. Includes short scores for wind instruments and timpani for first act finale at the end of volume one and for the sextet number 6, number 19, and number 24 at the end of volume two. Each act bound separately in decorative board.

Holograph in brown ink. Short score from opera in four acts, wind instrument and timpani parts only, beginning with final portion of fourth act finale at point where Il Conte di Almaviva sings: Gente gente à l’armi à l’armi. Includes minor corrections in composer’s hand, some in darker ink.

Holograph in brown ink. Two fragments irregularly cut from full score of movement for piano and orchestra, with only portion of staves present; first fragment primarily piano and lower string lines roughly corresponding to bars 108-110 on recto and bars 105-107 on verso, with 2nd fragment principally wind and string lines corresponding to bars 133-135 on recto and bars 116-119 on verso.